I re-arranged my symphonic composition, Postcards from the West, for symphonic wind ensemble. This is my first foray into the world of wind ensemble music—and I love it. It think this might be the most exciting area of composition that is happening the US right now. When I took on this arranging challenge, my first thought was “What will I do with all those clarinets?” But after a week spent (mentally) in the middle of that lovely bunch of reeds, I ended up thinking that maybe one can’t have too many clarinets. The fact that most wind ensembles exist in colleges means a composer can also feel free to write for extraordinarily large and weird percussion set-ups. Most colleges will have full concert marimbas, chimes, lots of timpani etc. These are elements that I am usually very careful about including in my orchestral writing, because they often require rentals and cartage fees that the orchestra must underwrite. I’ll never abandon orchestral composition, but I must admit that writing for wind ensemble felt liberating in a way. I feel certain I’ll turn to it again soon. If you’re curious, you can find the score and synth realizations here.