New Musical: When We Get There

I guess we are are in scramble mode, trying to figure out how best to use our creative energy during this Covid time.  I started a new musical in March with two book-writers; Richard Lasser from Seattle and Robert P. Young from Detroit. It is called When We Get There It stems from a story I wrote nearly ten years ago, but has been changed and massaged into a new and wonderful piece of theatre by a lot of brilliant work by Robert and Richard. Basically it is a story of four people who drive from New Jersey to march in Selma in what turned out to be “Bloody Sunday” in 1965.  We had a few terrific actors join us for a Zoom table read last week.  We were  fortunate to have Broadway veterans Allison Briner-Dardenne read the part of Rose. Q. Smith played Mary. Erick Pinnick read Terrance and Safiya Harris (pictured) played Dawn.  We learned a ton about our small but mighty show.  Once there is theatre again, this show will be ready!

Film score: Upheaval

Director Jonathan Gruber recently finished a feature-length documentary that I had a great time scoring. The film, Upheaval, tells the story of the late Israeli politician Menachem Begin — it’s a tough walk through the minefields of Israeli politics and history. Jonathan is such a skilled filmmaker that he makes this scorching subject look easy to tackle. The music, of course, all had to be made using the instruments I can play and record at home, along with synth elements. Once a score is recorded, I usually sit down with the director to review the film scene by scene, but of course we couldn’t do that in person right now. Instead, we shared my screen over Zoom, and I am happy to report that is possibly the very best use of the Zoom platform.

Choral Commission: The Last Seven Words

Earlier this year, I was commissioned by Michael McCarthy, the Canon of Music at the Washington National Cathedral, to write a choral piece based on the Seven Last Words from the Cross. As you may already know, these are actually phrases, not words: they’re the last seven things Jesus Christ said during the Crucifixion, including “Father, forgive them, for they know not what they do.” Whatever your relationship to religion — my own is very distant — these are very beautiful and evocative words to work with, and it was an honor to set them to music. The piece, called The Last Seven Words, is scored for children’s choir, harp, string quartet and chamber organ. The idea was for the Cathedral to take its children’s choir and this piece on tour to Spain and Portugal in March. That tour was cancelled, for obvious reasons, but I hope the piece can reach its audience one day soon.

The new CDs are in. Charlie Barnett: All By His Own Self

The new CDs are in. Charlie Barnett: All By His Own Self

Hard to believe that January was only four months ago. At the end of that month, I played a solo show — my first in decades — in Germantown, Maryland. I was nervous about it, but it went well enough that I quickly booked a few more shows and went into the studio to record the music while I had it under my fingers. Of course, all the subsequent shows were cancelled, but bassist Greg Watkins and I were able to wrap up the recording sessions in the first week of March, and I finished the mix and the mastering remotely. It is a collection of folk songs, spirituals, and singer-songwriter style originals that will be going out to radio stations as a folk album in a few weeks. If you absolutely can’t wait to hear it on your local folk music radio program, you can listen to samples or purchase it here.

2020 Independent Artist Award

I am proud to live in the forward thinking state of Maryland. A state that listens to scientists, and a state that supports the arts. I was just awarded one of the Maryland State Arts Council’s Independent Artist awards. Here is the full list:https://www.msac.org/press-release/maryland-state-arts-council-announces-2020-independent-arts-award-recipients

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