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When We Get There, a Civil Rights Musical

Book by Robert P. Young III and Richard Lasser
Music and Lyrics by Charlie Barnett

Synopsis
Dawn Jacks — an idealistic African-American teenager — convinces her mother, Mary Jacks; her uncle Terrance Witt; and their employer, Rose Shapiro, to drive to Selma, Alabama. The reason? To join Dr. Martin Luther King Jr.’s march from the Edmund Pettus Bridge to Montgomery, the state capital, to demand voting rights for Negroes from Gov. George Wallace himself.

Rose’s husband, Nathan, a diamond merchant and racketeer, has passed on, but his employee Terrance, a WWII Army vet, remains loyal to Rose as her chauffeur/handyman. So does his sister Mary, who works as Rose’s maid in a home located in the solidly white, middle-class town of Ridgewood, New Jersey.

Gassed up, sandwiches and drinks packed, Green Book at the ready, and hearts full of hope, the foursome heads South, even as America, particularly the South, remains hostile to its Black and Jewish citizens.

Excited, Dawn encourages optimism, and Mary sings to cover her trepidation. Encounters with racists — a white gas station attendant and a state trooper — reveal the dangers of “traveling-while-Black-with-a- Jewish-woman-in-the-back-seat.” Arriving in Selma, the four join hands and head into the march.

Multiple tear gas bombs explode. Stench and smoke fill the stage. Sounds of police dogs attacking, billy clubs smashing heads, screams and chant-like prayers are heard. Injured, the four run for their lives. This day will live in infamy as Bloody Sunday.

Act II opens as the four — injuries oozing blood, dazed, disoriented — stumble back to the car and make their way back north, only to deal with the revelations that Nathan once raped Mary and that Dawn is their daughter. The show ends with a new, if fragile, understanding of what a family — and just maybe what a country — can be.

Production History
Audio and Video

An old-timey etching of a bunch of women peering through a curtain at one who looks passed out and is lying face-down on top of a supine man

Classics 101, a Satyr Play

By Charlie Barnett

Synopsis
A two-act play inspired by the story of Briseis in Homer’s The Iliad.

Bree (Briseis) a mysterious classroom auditor at Ilium College in upstate New York has been assigned to Classics 101, a freshman survey course in Greek mythology. The professor adjunct, Harrison Robb, has a past of misconduct with his female students. We immediately find out that he can neither see nor hear Bree, although all the other students can.

Bree can sense that Harrison has already chosen his next victim, Christina, and Bree has made it a point to protect Christina. Meanwhile two recent alums, Josh and Hamilton arrive at the college to gift the school with a 20 million dollar classics wing, but the tangled web of Harrison creates obstacles to accept the gift. Meanwhile, Christina’s roommate, Tara, falls for Hamilton. While the story unfolds and we learn more about how Harrison takes his obsession with Christina to a new and dangerous level, questions about who (or what) Bree is begins to unravel.

Production History

The Spectre Of Death Script

This is my newest comedy. You can find it on NPX: https://newplayexchange.org/users/8897/charlie-barnett
if you would like to read it.

NEW PLAY EXCHANGE

Here is the link to all my plays!
https://newplayexchange.org/users/8897/charlie-barnett

The Last Days of Cleopatra

In 1961, after a calamitous start in London, the cast and crew of the film Cleopatra move to Cinecittà Studios in Rome to re-start the film. The dazzling Elizabeth Taylor has stayed on in the role of Cleopatra, but she has a new co-star: Richard Burton, a famed Shakespearean actor, who has joined the cast as Mark Antony. With the largest budget in Hollywood’s history and an acclaimed new director, the production seems to be back on track. But the reality is that this esteemed crew is in the process of making one of the biggest film turkeys of all time—while Taylor and Burton strike up a world-famous adulterous affair that ends Taylor’s marriage and drenches the production in scandal. As Taylor learns hard lessons, though, other troupers meet sunnier fates, finding friendship or true love on the set of this colassal disaster.

Here are a few songs from the show.

The Last Days of Cleopatra synopsis
The Last Days of Cleopatra Charlacter Breakdown
The Last Days ofCleopatra 06-01-22

Him and Jim

100 minutes
Three Acts
5M, 4W
Synopsis:
A three act story of Jim, a manager at an auto parts store, meeting Jesus. His failing marriage fully dissolves. Jim’s atheistic children and his employees at Turbo Auto Parts remain suspicious of the existence of the son of God even as low-rent miracles appear all around them. Jesus convinces no one of anything, but does have one very good parlor trick.

Production History:
Scheduled World Premier- March 2018

19


Synopsis:
A Musical. The story of suffragists Alice Paul. Ida B.Wells and Carrie Chapman Catt and the journey to the passage of the 19th Ammendment. I amwriting the music. Jennifer Schwed and Doug Bradshaw are writing the book and the lyrics.
Two Acts.
Two Hours
13W 2M

Production History:
Nov 1,2,3 2017 Workshop The Lyceum, Alexandria, VA

12Ness


One Act
100 minutes
2M,2W
Synopsis:
This one-act play is based on the real friendship—and tennis rivalry—between two
very different composers of the early 20th century: the respected but severe Arnold
Schoenberg and the much more popular George Gershwin, who sponsored
Schoenberg and his wife when they fled Nazi-era Vienna for the United States. Set in
Los Angeles in 1936–37, the play includes Schoenberg; Gershwin; Schoenberg’s
wife, Gertrud; and Gershwin’s girlfriend at the time, the actress Ginger Rogers. On
the court and over dinner, the four mismatched friends debate the nature of artistic
process and artistic inspiration. Looming over the quartet is the fact, unknown to all
of them but known to the audience, that George is suffering from a brain tumor that
will take his life within a year.


Production History
July 2016 Professional Workshop Reading
June 9-18 2017 Full Production/World Premier Crowded Kitchen Players, Bethlehem PA

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