– Theatre –

When We Get There txt banner

When We Get There, a Civil Rights Musical

Book by Robert P. Young III and Richard Lasser
Music and Lyrics by Charlie Barnett

Synopsis
Ridgewood, New Jersey, March 1965. Seventeen-year-old Dawn Jacks hears Dr. King on the radio and packs a bag for Selma, Alabama. She talks Rose Shapiro, the Jewish widow whose house she grew up in, into coming along. Dawn’s mother, Mary, has been Rose’s cook for nineteen years, and Mary’s brother Terrance, a World War II veteran, is Rose’s driver. Mary fled Mississippi and never wanted to go back, but she will not let Dawn go without her. So the four head south in Rose’s 1963 Buick with sandwiches, maps, and the Green Book.

A gas station attendant wants to see their money before he will pump the gas, then turns polite the moment Rose speaks up. The travelers keep their spirits up with songs and jokes. At a Green Book motel outside Charlotte, they promise to stick together as a family.

That night the radio reports that Jimmie Lee Jackson has been shot dead by an Alabama trooper at a voting rights march. Mary tells Rose they are going home. Rose refuses, and the fight turns ugly. Rose says she kept Mary on when Mary “got herself pregnant.” Mary answers with the truth: Rose’s late husband, Patrick, forced himself on her when she was seventeen. Dawn overhears. Patrick, the man she called Uncle Patrick, was her father. Mary kept the secret in exchange for his support. Terrance knew. Rose half knew and looked away. Dawn turns on all of them. In the morning she says she is going to Selma, with them or alone by bus.

They drive south in silence. A South Carolina state trooper pulls them over and orders them out of the car at gunpoint. An emergency call on his radio pulls him away before he shoots. In Selma, Terrance gives Dawn straight answers. Rose cannot. Mary says she will walk beside her daughter whether Dawn speaks to her or not.

On March 7, the four join hands and walk onto the Edmund Pettus Bridge. Troopers attack with tear gas, clubs, whips, horses, and dogs. The four get back to the car beaten and bleeding. Terrance has a concussion and thinks he is back in the war. Dawn, who has no license, takes the wheel. A white hospital will treat Rose but not the others, and Rose refuses to go in without them.

In the parking lot of a colored hospital at daybreak, Mary tells Dawn that every choice she made, she made for her. Rose admits she chose what not to see. Dawn takes the car keys from her mother and sits behind the wheel. The four are still together, though none of them knows yet what kind of family they will be when they get home.

Production History
Audio and Video

An old-timey etching of a bunch of women peering through a curtain at one who looks passed out and is lying face-down on top of a supine man

Classics 101, a Satyr Play

By Charlie Barnett

Synopsis
A two-act play inspired by the story of Briseis in Homer’s The Iliad.

Bree (Briseis) a mysterious classroom auditor at Ilium College in upstate New York has been assigned to Classics 101, a freshman survey course in Greek mythology. The professor adjunct, Harrison Robb, has a past of misconduct with his female students. We immediately find out that he can neither see nor hear Bree, although all the other students can.

Bree can sense that Harrison has already chosen his next victim, Christina, and Bree has made it a point to protect Christina. Meanwhile two recent alums, Josh and Hamilton arrive at the college to gift the school with a 20 million dollar classics wing, but the tangled web of Harrison creates obstacles to accept the gift. Meanwhile, Christina’s roommate, Tara, falls for Hamilton. While the story unfolds and we learn more about how Harrison takes his obsession with Christina to a new and dangerous level, questions about who (or what) Bree is begins to unravel.

Production History

The Spectre Of Death Script

This is my newest comedy. You can find it on NPX: https://newplayexchange.org/users/8897/charlie-barnett
if you would like to read it.

NEW PLAY EXCHANGE

Here is the link to all my plays!
https://newplayexchange.org/users/8897/charlie-barnett

The Last Days of Cleopatra

In 1961, after a calamitous start in London, the cast and crew of the film Cleopatra move to Cinecittà Studios in Rome to re-start the film. The dazzling Elizabeth Taylor has stayed on in the role of Cleopatra, but she has a new co-star: Richard Burton, a famed Shakespearean actor, who has joined the cast as Mark Antony. With the largest budget in Hollywood’s history and an acclaimed new director, the production seems to be back on track. But the reality is that this esteemed crew is in the process of making one of the biggest film turkeys of all time—while Taylor and Burton strike up a world-famous adulterous affair that ends Taylor’s marriage and drenches the production in scandal. As Taylor learns hard lessons, though, other troupers meet sunnier fates, finding friendship or true love on the set of this colassal disaster.

Here are a few songs from the show.

The Last Days of Cleopatra synopsis
The Last Days of Cleopatra Charlacter Breakdown
The Last Days ofCleopatra 06-01-22

Him and Jim

100 minutes
Three Acts
5M, 4W
Synopsis:
A three act story of Jim, a manager at an auto parts store, meeting Jesus. His failing marriage fully dissolves. Jim’s atheistic children and his employees at Turbo Auto Parts remain suspicious of the existence of the son of God even as low-rent miracles appear all around them. Jesus convinces no one of anything, but does have one very good parlor trick.

Production History:
Scheduled World Premier- March 2018

19


Synopsis:
A Musical. The story of suffragists Alice Paul. Ida B.Wells and Carrie Chapman Catt and the journey to the passage of the 19th Ammendment. I amwriting the music. Jennifer Schwed and Doug Bradshaw are writing the book and the lyrics.
Two Acts.
Two Hours
13W 2M

Production History:
Nov 1,2,3 2017 Workshop The Lyceum, Alexandria, VA

12Ness


One Act
100 minutes
2M,2W
Synopsis:
This one-act play is based on the real friendship—and tennis rivalry—between two
very different composers of the early 20th century: the respected but severe Arnold
Schoenberg and the much more popular George Gershwin, who sponsored
Schoenberg and his wife when they fled Nazi-era Vienna for the United States. Set in
Los Angeles in 1936–37, the play includes Schoenberg; Gershwin; Schoenberg’s
wife, Gertrud; and Gershwin’s girlfriend at the time, the actress Ginger Rogers. On
the court and over dinner, the four mismatched friends debate the nature of artistic
process and artistic inspiration. Looming over the quartet is the fact, unknown to all
of them but known to the audience, that George is suffering from a brain tumor that
will take his life within a year.


Production History
July 2016 Professional Workshop Reading
June 9-18 2017 Full Production/World Premier Crowded Kitchen Players, Bethlehem PA

We value your privacy. Our website uses cookies to enhance your browsing experience and ensure the site functions properly. By continuing to use this site, you acknowledge and accept our use of cookies.

Accept All Accept Required Only