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Chaise Lounge in the Gazette

Joe’s Record Paradise to host professional jazz band Saturday

D.C.-based jazz ensemble set to perform for hometown fans

by Cara Hedgepeth Staff writer

Musician and composer Charlie Barnett says he was born in the wrong era.

“I was born out of time,” says Barnett. “I think I should have been Henry Mancini.”

An award-winning film composer, Barnett is also a founding member of the six-piece jazz ensemble, Chaise Lounge, performing Saturday afternoon at Joe’s Record Paradise in Silver Spring.

Barnett, who is a talented pianist but primarily plays guitar for Chaise Lounge, says he’s heard the band’s sound described as “post-modern lounge.” But Barnett says he prefers a slightly more comprehensive description.

“It basically sounds like pop music played by jazz musicians, recorded in 1962 at Capitol Records Studio,” he says.

Saturday will be a homecoming of sorts for the six musicians — Barnett is joined by vocalist Marilyn Older, drummer Tommy Barrick, saxophonist Gary Gregg, trombonist John Jensen and bassist Pete Ostle — who all hail from the metro area.

“When we get to play locally, it’s really fun,” says Barnett, who’s lived in Bethesda for 20 years. “We hardly ever get to.”

“It’s cool to be in Silver Spring,” adds Barrick, who calls the city home. “If I wasn’t bringing my drums, I’d probably ride my bike.”

In addition to its convenience, Gregg says playing close to home means the band gets the opportunity to see a room full of familiar faces.

“It’s like meeting old friends,” says Gregg who lives in Arlington, Va. “It’s people who have sort of followed us over the years.”

The group recently honored its hometown roots with the cover art of their latest album, “Insomnia,” featuring local favorite and Bethesda cornerstone, the Tastee Diner.

Saturday’s gig will feature songs from “Insomnia,” which, like Chaise Lounge records before it, is available as a CD and in vinyl.

“There’s nothing like vinyl,” says Barnett. “It’s just the sound everybody craves, including me.”

“A Very Chaise Lounge Christmas,” out Nov. 1, and featuring reworked carols, original songs and covers of holiday classics, will also be available as an old-school record.

“There’s a certain kind of organic excitement about having a record made,” says Barnett. “Making a record is so much more labor intensive than making a CD. … It’s an artistic object more than CDs can ever hope to be.”

It was more than 10 years ago that Barnett and lead singer Older recruited Barrick, Gregg, Jensen and Ostle to form Chaise Lounge.

“I found a group of my favorite studio musicians,” says Barnett. “The next thing you know we have a band and we have gigs. How fun is that?”

“When we came together everything click[ed],” adds Gregg. “It was like we’d known each other our entire lives. It’s just like a great fitting pair of shoes.”

Despite their busy schedules and commitments to other ensembles — Barrick also plays with the Radio King Orchestra and the Swingin’ Lincolns, and Jensen is a member of the Smithsonian Jazz Masterworks Orchestra — the members of Chaise Lounge have managed to make this ensemble a top priority.

“Chaise Lounge always comes first,” says Gregg.

“Even though I’m busy, Chaise Lounge is my main group,” adds Barrick. “I will pretty much put it in front of everything.”

Jensen says the experience playing with other ensembles actually benefits Chaise Lounge’s music.

“Playing with different musicians and different bands gives you something to take back to Chaise Lounge,” he says.

While Barnett says experiences like the one with Chaise Lounge are often expected to “run their course,” the members of the band have remained dedicated to monthly rehearsals.

Jensen credits Chaise Lounge’s longevity to the chemistry between band mates.

“Nobody’s tense,” says Jensen. “So many times in the music business people are tense and that’s a poison to the creative spirit. But there’s a shared element of fun, shared element of joy.”

“You become like a family,” adds Barrick. “I only choose to play in bands that are going somewhere. Everybody is in this because it is moving somewhere.”

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Mentor

In July I was asked by the Strathmore Music Center to be one of their mentors for their AIR (artists in residence) program.  All together there are six young emerging artists. I was assigned two: Deborah Bond and Owen Danoff.  When Strathmore first called I had to suppress the thought that screamed through my head… ” Hey, when did I stop being a young emerging artist cross over to the eminence grise category? ”  The answer is: years ago.    I got over myself and now I am very happy to be part of this.  All of the emerging artists are talented.   And they have an unbelievable supply of young energy that is infectious.  The program is run by Betty Scott, a former schoolteacher, who brings a discipline and structure to this that is somehow strict and relaxed all at the same time.    Chaise Lounge is playing at the Strathmore Gala at the end of October and several of the AIRs will be sitting in with the band.  Last week we had a rehearsal with Isabelle DeLeon on drums, Integriti Reeves singing, Christylez Bacon on beatbox and personality, and Owen Danoff on guitar and vocals.  They all came prepared and ready to bring it.  I am mentioning  this program in case you know someone who would benefit from this.  I think that each of these artists is going to come out of the year long program with a much clearer understanding of all that it takes to have a performing career in music.   And in case you are called to be a mentor- Say yes. 

Vinyl

Just got the test pressings.  Once again… “Test Pressings”!  for our new LP,  ” A Very Chaise Lounge Christmas”.  Official release date is Nov 1.

With our gig coming up at Joe’s Record Paradise, I am living a retro vinyl dream

My Day of Sports on Television

Is it so wrong to spend an ENTIRE day watching sports on TV?   Yesterday I watched the Redskins lose.  I followed the Ravens progress ( winning an ugly game against the Chiefs) at the same time

At 3:30 I struggled to follow the dismal end of the Redskins while watching the Nationals finally beat the Cards in the 8th inning.  That was a happy happy moment.  Big ups to Tyler Moore!   Finally, I waited for the Orioles to start , but the rain delay forced me to watch the Packers starting at 8. 

Somehow I felt weirdly well-informed and pleased about the way I spent a rainy Sunday. 

Poggio Bracciolini

In 1415 Poggio Bracciolini writes this ( in Latin) :

” We are terrified of future catastrophes and are thrown into a continuous state of misery and anxiety, and for fear of becoming miserable we never cease to be so. “

Plus ca change ,  plus c’est la meme chose….n’est pas?

He is the guy responsible for rescuing the Roman poet Lucretious’  “The Nature of Things”.  The book I’m reading is called The Swerve.  An amazing piece of non-fiction writing by Stephen Greeblatt

It is dense, but well worth the time and trouble.

Theatre at Lime Kiln

I could not live in a small town.  I know thqt because I grew up in a few of them.  The smallest was 800 people living on the banks of the Susquehanna River in Pennsylvania.  But I love it when I am thrown, for an evening, into the center of a small town.  We played a gig last week in Lexington VA at an outdoor theater in the woods called Lime Kiln.  I think that every person in the audience knew everyone else. We were the only strangers there.  At the first song they clapped politely, just feeling out this new friendship between town and band. By the intermission we were on a first name basis. And by the end of the concert I feel like we could have gone home for coffee and ice cream with half the crowd. Music is an amazing way to build a friendship.  You can leapfrog the years and years of passing on the street, having kids in school together, working on the same block and go right to a powerful personal, albeit non-specific, conversation  that would normally take 20 years of friendship to get to.  I got the whole experience of knowing everyone in town in the span of 2 hours. 

Civics 101

I am the chairman of the board at Maryland Youth Ballet.  How this came about is a long story. I have no qualifications for this position at all. And yet I am this, and being this changed my life.
    As a career musician I always felt somehow untethered. Unattached to the place I lived. I always felt that if the right gig came along I would move in a heartbeat to Los Angeles or New York, or Austin Texas.  I lived in Bethesda Md nearly by chance. My conncetion with my county, Montgomery County was as slender a thread as paying taxes and getting a discount at my Summer swimming pool.
     I joined the board of MYB almost as a lark.  I was thinking “what a hoot,  me? on a board?” My reaction to being chosen as president was similarly light and ironic.  As it has turned out this was one of the most important turning points in my life.  Ove the past five years we have gone from having a dreadful facility and an organization teetering on collapse to having one of the best ballet studios on the East Coast and being  one of Montogmery County’s largest, most financially robust arts non-profits.  I am intensely proud of this.
     On a personal level, this “job”, this labor of love has informed and directed the rest of my life..  yes, even as a composer.  I now know most of my county council members. I know the Leggetts.  I know my State legislators and my State senator. I live in Montgomery County in a connected way that I never thought I would. It is important to me where I live.
      Last week I acted as emcee for the Greater Silver Spring Chamber of Commerce Awards Banquet. I looked out at the owners of businesses from all over Silver Spring, the business hub of Montgomery County and I was intensely proud to be one of them and part of this group and part of this County.

Charlie Barnett, composer, writer, musician and now Emcee

Charlie Barnett, composer, writer, musician and now Emcee

GSSCC’s 2012 Awards & Installation Dinner Was A Huge Success!

GSSCC sincerely thanks the sponsors and members who supported the 2012 Awards & Installation Dinner this past Wednesday, one of the Chambers most important fundraising events of the year. The money raised through these events is critical to the Chamber’s ability to adequately serve our members.

Silver Spring Chamber of Commerce Gala

Mixing

I just finished up two days of mixing with engineer Ken Schubert.  We were two guys sitting at a console staring at a screen of ProTools information with two very good speakers on either side – and not talking much for 8 hours a day.  That is some guys’ idea of a great day.   I guess it is mine.   It reminds me of a story about the famous pilot, Chuck Yeager, flying in tandem with another pilot  across the entire country, speaking only a dozen words during the whole trip and feeling like they had a hell of time at the end of the day.    I’m not sure if this is a particularly male trait or not.  But I have only had these experiences with guys.  We sit and listen…. and listen again. then one guy says:” Do you think the guitar is a little wet? ” or  “Let’s lose the piano until the bridge.”  The other guy answers with ” Hmmm… we could try it?”  This would be followed by another half hour of sitting, listening and staring. In two days we mixed three songs and ended up thinking we were flying right along on this project.

       At the same time I had to listen to the masters of the new Chaise Lounge Christmas album,  “A Very Chaise Lounge Christmas”.  Mastering is a completely different level, a much deeper level of listening that I am not capable of.  Greg Lukens and Bill Wolf are the two “master”minds ( pun intended) involved here.  They also sit in a dark room surrounded by audio gear and mumble about “shelves” and say things like ” Is that getting a little tubby ?”   In the end they took an album of 10 songs that were mixed over the course of nine months, and had a variety of instrumentations,  and made them sound like they all truly belonged on the same record.   

This is not my favorite part of my job, but it is one that is odd and peculiar to this craft of recording music.  In some ways I owe my career to the various engineers who have looked at me and said in all sincerity ” for the love of God, can we pull some of the big room back… please?”

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