A few weeks ago, my cello concerto Noir was premiered by soloist Lawrence Leviton and the Central Wisconsin Symphony Orchestra. I wasn’t able to attend, but I heard the recordings and am proud and grateful the piece got such a fine welcome to the world. Lawrence did a stellar job, as did Maestro Pat Miles and the orchestra. (You can listen to a recording and view the score here.) For a composer, it’s never easy to get a new work premiered. Even harder: finding the second performance of a new piece. But I’d love to make that happen with this one.

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