The Lure of Small-Town Theaters

On Saturday April 6, my doughty jazz band,Chaise Lounge, will head out to Washington, Virginia, a tiny town with a population of 127 at last count. Despite its size, this village in Virginia’s horse country has a wonderful music venue: The Little Washington Theatre. Somehow the theater’s owner, Nancy Raines, always manages to attract a discerning, sophisticated audience to fill this gem of a performance space. (Even the children, who get cut-rate tickets, are sophisticated!) For the band, there is a Brigadoon-like quality to playing there, since the crowd tends to outnumber the townsfolk. Where do they come from? Where do they go? If you’re in the region this weekend and up for helping me solve this mystery, come out and see us—and make sure to say hello.

New Chaise Lounge album

Last month, my jazz band, Chaise Lounge, celebrated the release of our eighth album: The Lock & the Key. There are eleven cuts on it: nine originals and two covers. It took just about a year to make, and we are quite proud of it. I’m not sure it is appropriate to pick out favorite tracks, but so what? I have them. One is “The Sweet Ride Home,” for which our singer, Marilyn Older, wrote a gorgeous lyric about the moments just after a wonderful date. It’s driven by the perfect groove from drummer Tommy Barrick. The melody is ghosted a fourth down by Joe Jackson’s trombone. And the tutti ensemble section in the middle is the perfect, full-on Chaise Lounge statement. Another fave: “The Earl.” Our sax player, Gary Gregg, routinely stuns our live audiences with his ultra-melodic solos, and we captured a hot one on this track, named for one of Gary’s saxophone heroes, Earl Bostic. And I especially love the last song on the record, “I Grew a Rose,” because we tried to get a very retro Harry Belafonte sound, and I think we hit the nail on the head. In concert, we sometimes use male backing vocals as comic relief, but on this cut we are nothing but sincere. The artwork for the album is by Adriana Cordero.

In Praise of Barns

thebarnsatwolftrapOver the summer my jazz band, Chaise Lounge, played in a classically beautiful barn in Vermont. I also heard a wonderful chamber music performance at a barn in Damariscotta, Maine. And now that I’m back in the DMV (a local nickname for the District of Columbia and its Maryland and Virginia suburbs) I’m looking forward to playing at the granddaddy of all barns, The Barns at Wolf Trap in Vienna, Virginia. It must be the lack or parallel walls, or maybe the warm, non-reflective acoustic properties of the wood that makes playing at a properly retrofitted barn feel like playing inside a big guitar. I think it is wonderful that so many of these 18th- and 19th-century structures have been repurposed as music venues. Our Wolf Trap show is on Friday, October 14th. If you are in the neighborhood, please come by.

Gin Fizz Fandango Is Finished!

We’ve been in and out of the studio for a couple of years on this one, but Gin Fizz Fandango, my jazz band’s new CD, is ready for release. The title track on the album is an instrumental—and the title also refers to a cocktail dreamt up by Chaise Lounge’s resident bassist/mixologist, Pete Ostle. Naturally the CD also includes vocal numbers like “Tick Tock” that take advantage of our singer’s unique way with a melody and a story.
The CD release party is on September 26 at AMP by Strathmore in North Bethesda, Maryland. I couldn’t be prouder of this album or this band (from left in the photo): Gary Gregg on reeds, Joe Jackson on trombone, Tommy Barrick on drums, yours truly on piano and guitar, Marilyn Older on vocals and piano, and Pete on bass. I’m also tickled with the album cover, shot by Sarah Guroff and designed by Adriana Cordero.

Chaise Lounge @ Home

My jazz band, Chaise Lounge, has been on the road a lot lately, so we’re looking forward to April 17, when we’ll play a hometown show at the elegant supper club The Hamilton in Washington DC. We have just finished recording and mixing a new CD that will be called Gin Fizz Fandango. And not coincidentally, our resident mixologist, bassist Pete Ostle, has invented a “gin fizz fandango” cocktail that will be served at the Hamilton gig. Naturally, the band has scheduled a tasting of this signature drink—some purists might call it a “rehearsal” but we know better. If you’re in the area next Friday, I hope you can come out to hear our new music and sample the new drink.

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