– Charlie’s Blog –

19 The Musical Premieres

19 The Musical Premieres

The musical I’ve been working on, 19, just closed its world-premiere run in Washington, DC, and I was pleased to see this thoughtful positive review by John Stoltenberg of DC Metro Theater Arts: "In 19: The Musical, Women Sing and Dance Their Way To Suffrage."

Along with my creative partners, Jennifer Schwed and Doug Bradshaw, I’ll be refining and retooling the show before its next run. This show is being produced as a nonprofit endeavor, and tax-deductible contributions can be made here: https://www.19themusical.com/donate

A Timely Documentary

A Timely Documentary

Diane Rehm, the well-known NPR radio host, is featured in a new documentary I’m scoring. The film, called When My Time Comes, is about Rehm’s efforts to legalize medical aid in dying for people who are terminally ill. She took up the cause after watching her late husband suffer needlessly for the lack of this option. Rehm is a terrific interviewer, and some of the scenes with patients and survivors are just gutting. My challenge has been to enhance the film’s natural emotions without getting in the way of them. Alto sax features prominently in the score, but there are some spots where the director, Joe Fab, wanted just piano. Joe has directed this thoughtful and important film with a real sensitivity, and I am honored to have been included in the production.

Reunion Temptations

There are certain things that make me feel my age. The very idea of running is one of them; I fear that these knees have probably taken their last long stride. Another is the thought that my oldest daughter will soon turn forty. How dare she? A recent third: my 50th high school reunion. It was horrible and it was wonderful. Amid the surf and turf dinner and the Motown covers, I was faced with the reality that these old-timers were my classmates, and that I was one of them. Denial was impossible. I found myself swimming in a genial acceptance, laughing and marveling over where life has brought each of us. I didn’t come away with any big life lessons, but I did get a sense, at least for one night, that the world is turning at the same pace for everybody, and that there is no reason not to dance to The Temptations whenever you get the chance.

An Opportunity to Help

An Opportunity to Help

I don’t usually use this website for calls to action, but a friend of mine is in trouble, so I am making an exception. I met Richard Dean (everyone calls him Dean) nearly 30 years ago when he was a young hip-hop producer in the Washington DC area. He later resurfaced in my world as a self-taught and self-employed film editor of tremendous industry and talent. We’ve worked together on many films, and I have always been blown away by what he brings to these projects. Unfortunately, Dean has recently had some health challenges that have kept him from working, and in order to get back to work he needs a specially adapted vehicle that he can’t afford. I’ve started a GoFundMe campaign to help. If you are able to donate or to spread the word about Dean’s situation, especially to any film editors you may know, I would be very grateful. Here is a link for more information: Richard Dean GoFundMe Page

The Four-Piano Gig

The Four-Piano Gig

Who uses four pianists for one show? My friend Dick Kaufmann does! I recently played at the crooner’s spectacular 80th birthday concert, at which he performed with an impressive array of musicians and singers he has worked with over the years. I played guitar and tenor banjo, along with one piece on piano. The other pianists were bandleader Glenn Pearson; Rich Dworsky of A Prairie Home Companion; and Lee Muziker, who has been the music director for both Barbara Cook and Tony Bennett, among many other credits. Everyone played great, but as a pianist I can tell you that Muziker’s musicianship is not to be believed. His accompaniment sounds like a combination of Igor Stravinsky, Fats Waller, and Frederic Chopin. The moment from the concert I will always remember — well, along with the audience’s delight when Kaufmann brought out his friend and surprise guest Garrison Keillor for a duet — was when I stood in the wings with Pearson and Dworsky, all of us amazed at the fluid genius of Muziker. Sometimes your role as a musician, and a person, is simple appreciation.

At the Archives

At the Archives

Doug Bradshaw, Jennifer Schwed, Charlie Barnett and Millie Scarlett

Doug Bradshaw, Jennifer Schwed, Charlie Barnett and Millie Scarlett

Living in Washington DC, it is easy to get inured to treasures that we drive and walk past every day. Last night at the National Archives, we put on a reading of ten of the songs from 19, our musical about Alice Paul and the struggle for women’s suffrage one hundred years ago. We all had a chance to, once again, see our Constitution, and of course, the 19th Amendment. It is right there. The real thing. The Archives had an extensive and thoughtful exhibit on suffrage in America. What a great city to live in.

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